| At the age of nine, Jerome and his dad went to buy his
first drums. Inside the store, as his father bargained for a discount,
the aspiring percussionist stood in front of a red drum kit and felt aroused
(in a rhythmic way), with vivid visions of rockstardom. Eschewing homework
for records and a solid, heavy beat, Jerome immersed himself under tutelage
of Led Zeppelin, Deep Purple, The Rolling Stones and Sweet; however, Sweet
turned out to be a bit soft for the young man’s taste – a
problem quickly rectified by turning the record player’s RPMs to
45.
Jerome spent his formative years in the lush Norwegian countryside, with
little to do beyond playing drums, hangin around rehearsal rooms, and
making demos at a decrepit four-track port-a-studio known as “necro-studio”.
In Bob Dylan-esque fashion, Jerome hopes one day to supplement his retirement
income by releasing these basement tapes, if they can ever be located.
Adult musicians who wanted to teach the kids how to play dominated the
music circuit in the area. Inevitably, the kids found adults boring, so
they ditched the parental supervision and went in as opposite direction
as possible, leading to Jerome’s unfortunate foray into head-banging
metal. Seeing opportunity for profit and love, Jerome joined his first
real band, a cover group that did a lot of local gigs. Being only fifteen,
though, Jerome’s visions of a rock & roll lifestyle were foiled
by being underage (and thus not allowed into many of the clubs they were
booked for) and puberty (self-described pimples the size of marbles and
squeaky rivaling Mickey Mouse. Despite this setback – every cloud
has its silver lining – Jerome soon had an epiphany (that coverbands
are cheesy) and gladly quit to pursue a career as writing and performing
original scores. In addition, he made the move to the big city, Oslo,
where he joined up with The Lovethugs.
Jerome describes having made two albums so far as the best experience
of his musical life. He still approaches drumming with the exuberance
and enthusiasm of little a kid, but now with the experience of an adult.
Nevertheless, his best moments are live, on stage, when he can feel like
“letting go”. As an original member of The Lovethugs, Jerome
and his bandmates thrive on the fact that while the message is serious
and the music is artistically ambitious, as a band they still maintain
a vibe of playfulness and fun.
|
|